Welcome to Idealog Weekly, the free email newsletter for New Zealand commercial creatives, entrepreneurs and anyone rich with ideas.
Meet Bruce Ferguson: the go-to guy that brands call on first when they want to make a big splash. His forte is the big, flashy visual stunt and he knows just how to create a buzz and leave a lasting impression. He arrived in the UK as the recession began to bite, but a year on is still making a living doing what he does best. Stephen Jewell catches up with him and learns how a Kiwi connection landed him a lucky break. Get the full story in this month’s magazine or on our website, and check out our past coverage of the man behind the bright lights.
The advent of viral marketing and digital media has forced ad agencies to push the boundaries and create ever more diverse, complex campaigns to capture our attention. But this doesn’t mean traditional advertising is becoming redundant. Far from it—the role of the agency in brainstorming ideas and seeing them through is more vital than ever. Find out why in the Creative Showcase supplement in Idealog #24.
How do you convince a spooked bank that lending to your business is a safe bet, and just where should you draw the line on Facebook and Twitter in the workplace? In his typically straight-up manner, Lance Wiggs tackles these delicate business dilemmas and more in the latest Idealog. Got a question for Lance? Ask away: email him at advice@idealog.co.nz.
In the space of just two months, Abigail Uhteg handcrafted 35 copies of her book The Complex of All of These. Even the paper (flax and abaca) and binding is handmade.
First came online maps, then came the virtual reality of Second Life. Now there’s EveryScape, a interactive photo-based directory which enables visitors to explore real city streets, shops, bars and hotels in high resolution. Out of the 41 cities that have been mapped out so far, Christchurch was the first in Australasia to get the royal treatment. Kris Herbert talks to architect Jason Mill about how EveryScape recreates the real world online.
Gondolas float through Times Square. People cast fishing lines from gravel banks alongside towering skyscrapers. This is Aqualta, a dramatic collection of images depicting New York City and Tokyo after a catastrophic flood. As bleak as that sounds, there’s actually a real sense of beauty in the juxtaposition of the metropolis and the aquatic elements. We like the blimps and cable cars, too.
After seven long years, the Auckland-based Sheehan brothers have completed their graphic novel The Inhabitants and they’ve made it available online—for free. The comic deals with alternative dimensions, mysterious bohemians and fast cars in a vast city which parallels our very own City of Sails. According to Kelly Sheehan, who was responsible for the dialogue, only time will tell if this “strange mix” will be successful. Giving away content is anathema to most authors, but Darren and Kelly hope their work will attract a following online. Check out the series on their blog, or for those who prefer hard copies, there are some of those up for sale too.
At first, Google was just another search engine. Then it became a verb. But it didn’t stop there …
It’s one of the most popular games of all time, but Pac Man has always been confined to a small screen, two-dimensional reality. Until now, that is. This 3D rendering of the not-so-little yellow blob is made entirely out of recycled cans and, as Gizmodo puts it, shows “the terrifying reality 8-bit graphics couldn’t”.
“Consumers don’t know or don’t care that their favourite artists actually produce more than just singles. Digital downloading certainly got plenty of plaudits for reinvigorating the ailing singles market, but it was at the expense of albums.”
– Mark Roach on the seachange of music fans in the digital age
Audi designer Wolfgang Egger brings the A5 Sportback to life right in front of our eyes. It’s all about three lines, apparently, but those three lines have been obsessed over. Enjoy the autospeak: the rear comes complete with both accent and elbow.
Latest issue: Under the sea
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